founded in 1927 
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Wild Mountain Raven On My Arm 
30 x 20.5cm 
£1105 Framed  
£72Mounted 
The Day Everyone Lost Their Umbrellas 
21 x 21.5cm 
£92 Framed 
£67Mounted 
Showing Off our Favourite Skirts 
16.5 x 25.5 
£86 Framed 
£63 Mounted 
Sheltering From The Shower 
34 x 11cm 
£86 Framed 
£63 Mounted 
If You Like A Rookery But Not the Noise,here Is A Silent One 
46 x 56cm 
£165 Framed 
£125Mounted 
A Father's Love 
30.5 x 25.5cm 
£86Framed £63 mounted 
Turnstones 
71 x 30.5cm 
£165 Framed £125 Mounted 
A Perfect Day In The Woods 
30.5 x 40.5cm 
£86 Framed £63 Mounted 
Chatting In the Woods 
30.5 x 25.5cm 
£74 Framed £50 Mounted 
It Is Not Yet Time To Get Up 
25.5 x 25.5cm 
£72Framed 
£47 Mounted 
Sometimes I Quite Enjoy A Windy Day 
33 x 43cm 
£90 Framed 
£65 Mounted 
Tame Shag On Bamaluz Rocks 
46 x 56cm 
£165 Framed £125Mounted 
Drifting Dandelion Clocks 
30.5 x 30.5cm 
£80 Framed 
£55 Mounted 
In A Nutshell I Love You 
No Longer Available 
Casting His Net 
30.5 x 40.5cm 
£86 Framed £63 Mounted 
Buddleia 
16 x 16.5cm 
Framed £80 
Mounted £57 
The Moon In Her Cloak 
20 x 20cm 
£88 Framed 
£64 Mounted 
 
 
 
If you are interested in purchasing work by Michelle Wright or for more information Click Here> 
Michelle Wright 
I have lived in St Ives for thirty years and it is this town, which is a constant source of inspiration to me. The beautiful fish, the seagulls and the people. I walk around the harbour or sit on a wall watching, listening and being amused by some of the goings on. 
Although I draw and paint I get the most satisfaction out of printmaking as it combines art with craft. There is something very exciting about working on a plate, putting it through a press then peeling back the paper to see what has been produced. 
I was born in England of an English mother and a French father. I have lived and been educated in both countries, finishing at the Wimbledon School of Art. I started my career of as a theatrical costumier and designer working in Edinburgh and at the National Theatre, London. Then I fell in love with St Ives, which meant that I had to find a new vocation combining the things I enjoy which are drawing and constructing. 
The solution — Printmaking ! 
 
COLLAGRAPHS 
These days I work almost exclusively on collagraphs despite enjoying other forms of printmaking such as etching and monoprinting. 
My collagraph plates are made from dense card. I usually draw out on the plate with an etching tool and cut into the board with a scalpel and create textures with both implements. I apply several layers of varnish and resist mediums to introduce tones. 
The collagraph plate is inked up as an intaglio print with the ink in the recessions or as a relief print, and then put through an etching press on damp paper. 
 
 
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